Have you ever thought about listening to a concert at the Sydney Opera House outdoors? Today, thanks to a series of audio installations designed for the 2016 Vivid Sydney 2016, the music played inside this famous White Sailing building can also be enjoyed by everyone in the square in front of it. It is reported that these seemingly cloud-like audio devices are called Sound Cell, which is printed on Australia's largest 3D printer and uses materials from recycled beverage bottles. When there is no concert inside the Sydney Opera House, these “cells†will bring the immersive music arranged by the music producer Ta-ku from Perth to the audience of the festival, and supplemented by the graphic artist Sam Price. Graphics.
It is understood that this project was led by artist Joe Crossley and was completed by Intel Corporation, Sydney Opera House and VICE Australia. Crossley has worked with the Sydney Opera House on Sound + Vision – a synaesthetic wire music performance project that explores the interaction of art, music and technology.
It is reported that the three Sound Cells distributed outside the Sydney Opera House will be connected to the Grammy-winning Intel Broadcast Studios by lighting, so that the audience of the Vibrant Music Festival can enjoy the performance inside the Opera House in real time. Moreover, people who are not even on the Sydney side this Friday can join the event because Ta-ku will live live on Vivid LIVE at the Sydney Opera House via YouTube.
It was alleged that at the beginning, Intel and the Sydney Opera House found that Crossley wanted to develop a way to "open" the Sydney Opera House, with the aim of providing the music played to a wide audience. In recalling this process, the artist said that they only used the eight weeks to combine the various parts of the process. “The live broadcast system developed by the Sydney Opera House and Intel’s technical team allows us to watch and remotely transmit the show to the outside Cell via fiber optics. It feels great!â€
In addition, these "sound cells" are also the largest 3D printing objects in Australia, and they have also received help from the San Francisco and Los Angeles design teams during the production process. "The styling of (the sound cells) comes from our love of crystals and polygons," Crossley said.
Crossley said that watching people interact with these sound cells is very satisfying. “It’s a great highlight that groups of people dance under these cells at night,†he said. “People smile and feel the visual effects on the crystal ceiling and the sounds that are passed down. This scene makes you feel that all the work is worth it.â€
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